A theatrical force be reckoned with
21 hours ago
"I just think it would be fun to spend a few years in grad school."
"Remember...If you have a burning passion for Victorian poetry, you can probably satisfy this passion by yourself. Force yourself to read a few dozen academic books before deciding to dedicate your life to a subject. That is what one does in graduate school anyway. Most learning is unsupervised, independent, and onerous. Why pay or work according to an institutional timetable unless one needs an academic credential?"
-Thomas H. Benton, "So You Want to Go to Grad School?", Chronicle of Higher Education
"How long are you staying, Boppo?"When his daughter, Amy—a gifted doctor, mother, and wife—collapses and dies from an asymptomatic heart condition, Roger Rosenblatt and his wife, Ginny, leave their home on the South Shore of Long Island to move in with their son-in-law, Harris, and their three young grandchildren: six-year-old Jessica, four-year-old Sammy, and one-year-old James, known as Bubbies. Long past the years of diapers, homework, and recitals, Roger and Ginny—Boppo and Mimi to the kids—quickly reaccustom themselves to the world of small children: bedtime stories, talking toys, playdates, nonstop questions, and nonsequential thought. Though reeling from Amy's death they carry on, reconstructing a family, sustaining one another, and guiding three lively, alert, and tender-hearted children through the pains and confusions of grief. As he marvels at the strength of his son-in-law, a surgeon, and the tenacity and skill of his wife, a former kindergarten teacher, Roger attends each day to "the one household duty I have mastered"—preparing the morning toast perfectly to each child's liking.
"Forever."
With the wit, heart, precision, and depth of understanding that has characterized his work, Roger Rosenblatt peels back the layers on this most personal of losses to create both a tribute to his late daughter and a testament to familial love. The day Amy died, Harris told Ginny and Roger, "It's impossible." Roger's story tells how a family makes the possible of the impossible.
"I told the second graders that one of the sad and difficult things about children everywhere is that they have no power. Jessie raised her hand, 'That's not true, Boppo,' she said, 'We have the power of thought and kindness." (p.159)
"In early November, the class took up Anne Sexton. I had never thought much of Sexton, judging her to be in a minor league compared to such contemporaries as Sylvia Plath and Adrienne Rich. But the students and I were getting into "The Truth the Dead Know," and I liked the poem better than I remembered. "This line, 'In another country people die.' What does it mean?" I asked the class. A young man said, "It means that death happens to other people." (p.112)"The Truth the Dead Know", Anne Sexton
"Before World War II the idea that a girl of modest means would expect any of today's purchased grandeur would have been laughable. She would have been familiar with the elements of such a ceremony, would have seen lavish movie weddings and photographs of society and royal ones, but she would not have imagined that those events had much to do with her own plans. She would have been married much as her mother had been: with her best friend standing up for her and everyone looking forward to a nice party at the bride's home, the two mothers wearing corsages and ladling punch." (p.4)
"Genuine tradition is not for sale, because no one needs to buy it; it's moored in the customs of one's own family (remember them?). If Dad feels like a complete chump in his Sir Elegance tux, you've just learned something about your tradition. What the altar-bound of today end up buying from their numberless vendors is a dog's breakfast of bridal excess- part society wedding of the twenties, part Long Island wedding of the fifties. It's The Philadelphia Story and The Wedding Singer served up together in one curious and costly buffet." (p.12)
"Children have an uncommon pleasure in hiding themselves and skulking about in shrubbery. When other people are about: this is analogous to young pigs hiding themselves." (p.13)
"Oh Lord, help me to become more like her, and grant that I may join with Thee never to part again. I trust that my Fanny's sweet image will never pass from my mind. Let me always keep it in my mind as a motive for holiness. What exquisite happiness it will be to be with her again, to tell her how I loved her who has joined with me in almost every enjoyment of my life." (p.45)
"Remember life is short, and two months is the sixth part of the year, and that year, the first, from which for my part, things shall hereafter date." (p.64)
"Because the birthday of my life
Is come, my love is come to me."
"Emma could not bear the thought of spending eternity without Charles, of Charles burning in hell." (p.71)Some of my favorite parts in this book were the chapter describing Charles and Emma settling into married life and all the descriptions of them as doting parents. I loved that Emma's family nicknamed her "Miss Slip-Slop" due to her messy habits and that she is described as having a "calm disregard for such details" in reference to keeping things neat. She and I have that in common.
"I should be most unhappy if I thought we did not belong to each other forever. Emma to Charles, 1839" (p.96)
"Charles read the letter and cried. He was as in love with her as he could be; he wanted so much to make her happy. Alone in his study, he was committed to his theory of natural selection, the theory that would leave God out of creation. But he was committed to Emma, too, and so as he examined lily hybrids and dog breeds, as he worked out a new theory about how coral islands had evolved, he also agonized over the religion question and over the effects his work was having, and would have, on her. He felt-literally- sick to his stomach.
Yet even with the emotional pain it caused him, Charles thought Emma's letter was beautiful. "Every thing that concerns you concerns me" went both ways. He kept the letter safely preserved always. Sometime later he wrote at the edge of it:
When I am dead, know that many times I have kissed and cryed over this. C.D." (p.100)
"So the dance of a married couple had begun. She played the piano for him, and though he had a tin ear, he listened with enjoyment and love. He put up with her sloppiness; she understood his need for long hours at work. She agreed to go to fewer parties and dinners since he did not like them. He went to the theater with her, and to church." (p.94)
Evan Marc Katz was featured prominently in Lori Gottlieb's Marry Him, which I thought was depressingly well done, so I was interested in reading his book. I agree with the title and fortunately I didn't buy it since the library had a copy. Someday I will probably have to give the whole online dating thing a try. It's probably a better idea than /wallowing in my spinsterhood. I did like Katz's attitude and advice.
This is a very Louise Hay-ish, positive thinking about life type of book which is what I was looking for. All quotes are from Judy Ford unless otherwise indicated.
"Somehow, post-Jane Austen, it's become shameful for a woman to admit how lonely she is and how strongly she wants to be part of a traditional family. What kind of educated, sophisticated, modern woman with an active social life has time to be lonely?
You're lonely? Get a life! Get a promotion! Get a hobby! Get a hair cut! You go girl!" p.56
"It seemed reasonable to think that the longer I searched, the better the guy I'd end up with. But it's faulty logic... the longer you wait, the less likely you are to find someone better than you've already met." (p.75)
"Hey, you know all those [guys] you weren't attracted to or interested in back in your twenties? Well, guess what- they're still available and some are divorced and you should be more open minded?" (p.76)
"I still hadn't come to terms with the realities of being single and never married at my age. I wasn't ready, on some visceral level, to let go of the idea of being somebody's first and only spouse, of being somebody's The One and having the exclusivity of our own family unit." (p.90)
"Clampitt matches people like this: "Number one," she said, "I look at whether the two people have common relationship goals. Number two, I look at values. Things like independence, family, religion, loyalty. Number three, what are the key qualities this person needs? You get no more than five. Things like, he has to be very intelligent. Number four, I look at shared interests. Interests are great because its bonding and stimulating and fun to share those, but the other things are more important for the long-term. I put shared interests last for that reason." (p.99)
"Marriage is about small acts of kindness that bond you over a lifetime. It's quietly romantic. He makes her tea. She goes to the doctor appointment with him. They listen to each other's daily trivia. They put up with each other's quirks. They're there for each other." (p.228)


This was such a fascinating book to read. I love reading books about book collectors and the sometimes bizarre things that take place in the world of rare books. This story of an unrepentant book thief and the book dealer who was obsessed with catching him was entertaining and educational. I am always amazed at the knowledge of books and printing that some people possess. It was also fun to read this book since I have actually shopped at several of the stores & sales mentioned in the story. Kind of weird, actually."I touched the pages and realized how much I would love to own something like it. This is how it happens, I thought." (p.28)
"Too few people seem to realize that books have feelings. But if I know one thing better than another I know this, that my books know me and love me. When of a morning I awaken I cast my eyes about my room to see how fare my beloved treasures, and as I cry cheerily to them, 'Good-day to you, sweet friends!' how lovingly they beam upon me, and how glad they are that my repose has been unbroken." - Eugene Field in The Love Affairs of a Bibliomaniac, 1896 quoted on page 75
'Camerado! this is no book,
Who touches this touches a man.'
-Walt Whitman quoted on page 129

"Columbine was fundamentally different from the other school shootings. It had not really been intended as a shooting at all. Primarily, it had been a bombing that failed...
They [the media] saw what happened at Columbine as a shooting and the killers as outcasts targeting jocks. They filtered every new development through that lens." (p.125)
Chapter 24. Hour of Need ~ Dylan's funeral service p.130-133
"Judy Brown views Eric as a criminal in bloom." (p.163)
"It pissed him [Fuselier] off, watching them brag on video about the people they would maim. "You damn little jerks," he would hear himself mutter. But sometimes he felt a little sorry for them. Their point of view was indefensible, but he had to embrace it temporarily and empathize with them. If he refused to see the world through their lens, how would he ever understand how they could do it? They were high school kids. How did they get this way? Dylan, in particular- what a waste." (p.168-169)
"When I read that first sentence, all the commotion in the band room ended," he said later. "I just zoned out. Everything else faded." Suddenly the big bombs began to make a lot more sense. The f****** world. "That's not Brooks Brown," Fuselier said. "That's not the jocks. That is an all-pervasive hate." (p.169)
"By this time, Fuselier had already read Eric's journal and seen the Basement Tapes. He knew what the media did not. There had been no trigger." (p.209)
"It was too much for Dylan. Kill? Everything? Apparently not. He made a stunning move behind Eric's back. He told..." (Dylan telling Brooks Brown about Eric's website the day before the Diversion program interview p.217)
"In a perfect world, Eric would extinguish the species. Eric was a practical kid, though. The planet was beyond him; even a block of Denver highrises was out of reach. But he could pull off a high school." (p.277)
Patrick Ireland's valedictory speech: "the shooting made the country aware of the unexpected level of hate and rage that had been hidden in high schools." But he was convinced the world was inherently good at heart. He had spent the year thinking about what had gotten him across the library floor. At first he assumed hope- not quite; it was trust. "When I fell out the window, I knew somebody would catch me," he said. "That's what I need to tell you: that I knew the loving world was there all the time." (p.302)
Dylan's story in creative writing (p.308)
The killers' parents deposed privately (p.319)
FBI guide for schools (p.322)
"The central recommendations contradicted prevailing post-Columbine behavior. They said identifying outcasts as threats in not healthy. It demonizes innocent kids who are already struggling. It is also unproductive. Oddballs are not the problem. They do not fit the profile. There is no profile." (p.322)
"Sue Petrone asked for and received the two sidewalk blocks her son Danny died on..." (p.324)
Chapter 50. The Basement Tapes: killers mimicing their parents- "if only we could have reached them sooner..." (p.328)
"Good wombs have borne bad sons" - Eric quoting Shakespeare (p.333)
Chapter 52. Quiet~ the killers' tape the morning of the massacre (p.349)
"The world breaks everyone and afterward many are strong at the broken places." President Clinton quoting Hemingway (p.355)
I watched the documentary about Rafe Esquith and his class on the last day of school late at night and exhausted. It made me cry. He is an amazing person and it was fascinating to see his classroom. The whole time I was watching I kept wanting to know the details, the schedule, how did it really work...
"I asked her what the worst time in her life was.
"Sixth grade was pretty bad," she said, thinking out loud.
"Wow, me too."
"Not my sixth grade, Kelly, your sixth grade."
"Why?" I asked, wondering if I had forgotten something terrible that had happened to her that year.
"You'll see. When you're a mother and your kid's in pain and you can't stop it- it's hell. Absolute hell." (p.67)
p. 2He now drew forth and placed upon the table a boot- small, light, and prettily shaped- upon the heel of which he had been operating.-Thomas Hardy, Under the Greenwood Tree
"The new schoolmistress's!"
"Ay, no less, Miss Fancy Day; as neat a little figure of fun as ever I see, and just husband-high."
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